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Here are all the paintings of Carlo Dolci 01
ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
83227 |
 |
Angelo annunciante |
o/tl, 52 x 40 cm, Louvre Paris
Date XVII s.
cyf |
981 |
 |
Magdalene |
1660-70
Galleria degli Uffizi, Florence |
980 |
 |
Portrait of Ainolfo de' Bardi |
1632
Galleria degli Uffizi, Florence |
978 |
 |
Self Portrait_i |
1674
Galleria degli Uffizi, Florence |
43093 |
 |
The Adoration of the Kings |
mk170
1649
Oil on canvas
117x92cm
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979 |
 |
Vase of Flowers |
1665-75
Galleria degli Uffizi, Florence |
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Carlo Dolci
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1616-1686
Italian
Carlo Dolci Locations
Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.
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